The stories of all the characters are linked to the fate of a media-successful married couple. The film is an account of life in a Central European metropolis, from which humanity and spiritual values are disappearing as a result of a hasty lifestyle. Vera and Daniel's marriage has been deadlocked for a long time, Vera is at the end of her career as an actress and Daniel prefers to hang out with younger girls than with his own wife. In addition, a young Macedonian woman, Liana, enters their family and Vera finds a part of herself in her. Parallel to Vera and Daniel, Eva, a nurse, and Martin, a designer, are looking for a place in life.

The eight-part series Women, Men, Love Songs explores Czech popular music from the 1950s to the present as a vivid cultural record of its times. Catchy pop melodies and familiar lyrics were never merely a backdrop for listening and dancing. They reflected the values, norms and profound social changes of their day. Each episode focuses on a different period or phenomenon: the influence of the sexual revolution in the 1960s, marital stereotypes in the 1970s, ambivalent portrayals of sexuality in the 1980s, and the uninhibited freedom and commercial glamour of the 1990s. The series also explores emerging queer narratives and the gradual emancipation of women in the 21st century. With wry humour and sharp criticism, music critic Pavel Klusák examines how deeply gender stereotypes were—and still are—rooted in us, and what the hits that continue to fill the airwaves and television screens reveal about the changing Czech identity. What do songs whose lyrics entire generations know by heart tell us about Czech society?

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A detective investigating a series of murders becomes a suspect himself. He is suspended from duty and conducts his own investigation. With the quiet help of a colleague, he finds a clue to the real perpetrator. A classic detective story that focuses more on the human destinies of the individual characters than on the investigation itself. The main character is best characterized by the dilemma that pits collegiality against duty. His personal story is also far from textbook, as he deals with shared custody of his daughter from a divorced marriage and a new relationship with a new woman.

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Eliška is a good girl. Perhaps too good. She lacks sharp elbows and has blind faith. Her free-thinking, capable sister Ilona is all the more active. The two young women throw themselves into building a family business that operates somewhat "from wall to wall," just like Eliška's relationship with a smug, popular athlete. "Does that boy have serious intentions with you? It's hard to find a husband after thirty..." Eliška's pragmatic mother warns her. So it is necessary to clarify whether only Eliška is dating Petr or Petr is also dating Eliška...

Autumn 1988. Renata is studying journalism. She lives with her jealous boyfriend Standa, whom she occasionally cheats on. She edits the school magazine and is perhaps a little more daring than the others, mainly because she doesn't want to be the daughter of her father, a bigwig at the Ministry of the Interior. But the situation is getting out of her hands—Renata's anti-regime mini-activities and her romance with dissident Holý are getting the attention of the STB. Her dad is worried about his career and maybe even convinced that he should disinherit her. Her relationship with Standa is getting complicated.

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A Czech film about love and marital crisis as a work injury.